How the ‘F1’ Sound Team Collaborated With Lewis Hamilton, Mercedes to Get Mics on Race Cars

Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” ...
TheWrap

How the ‘F1’ Sound Team Created an Immersive Experience: ‘It Was a Little Bit of Everything’

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...
Deadline.com

‘F1’ Director Joseph Kosinski & Sound Editor Al Nelson On The Detailed Difficulty Of Creating “The Most Authentic Racing Movie Ever” – Contenders Los Angeles

Bringing Apple Original Films’ F1 to life was no easy feat. “I was always told, ‘Racing movies don’t work,’” said director and producer Joseph Kosinski during Deadline’s Contenders Film: Los Angeles ...
The New York Times

F1 decides what driver radio clips you hear. The process is always changing

The team radio editing suite at F1's Media and Technology Centre. Alex Kalinauckas / The Athletic This article is part of our Forever Forward series, showcasing the ways Formula 1 is innovating for ...